One of Tangleweed’s sets at the 2010 Folk Alliance Conference in Memphis is available for download. One of our first sets was at the Steam Powered Preservation Society, who had a multi-mic recording setup for capturing the performances.
This is a repost of a post I wrote three years ago. Enjoy, while I take the rest of the day off.
Santa is Real, the Christmas record my old band the Kennett Brothers put together, is long out-of-print, and, thanks to the efforts of obsessive Wilco completists, prohibitively expensive on the second-hand market. In the spirit of the season, I’m posting an MP3 of one of the tracks, our cover of the Louvin Brothers song ‘A Shutin at Christmas‘.
This is the maiden voyage of our version of the warhorse fiddle tune Cherokee Shuffle, from last week’s show at Fitzgerald’s in Berwyn. You can download the whole show at Archive.org.
We tried to mix up the textures and dynamics to keep it interesting. We also play the ‘A’ strain as a round at the end.
Thanks to Joe Steffen for recording the show and making it available on the interwebs.
This is the track that launched a career, and a career that helped launch an industry. It was recorded in Bristol, Tennessee, on August 4, 1927 for the Victor label. Though it was only a modest success, it marked the beginning of one of the most illustrious recording careers in American popular music.
Rodgers actually recorded two sides that day (the other being ‘The Soldier’s Sweetheart’), but this was the side that featured Rodgers’ formidable yodeling talents. Rodgers neither invented yodeling nor introduced it to American music, but he did more than anyone to cement its place in country music.
Rodgers returned to the studio the following November, and recorded what would be his first hit and his most iconic recording: Blue Yodel.
Rodgers work has entered the public domain in most of the world. It remains under copyright in the U.S. due to Sonny Bono’s Mickey Mouse Protection Act. But let’s ignore Bono’s ignoble legislative career and apparent lack of skiing skills, and remember him as the auteur behind ‘Pammie’s on a Bummer,’ and the associated heavy-lidded PSA:
I listened to this expecting to hear the song Riley Puckett sang so well, and was surprised to hear this very nice fiddle instrumental instead. Surprised, especially, in that I had never heard of Fiddlin’ Frank Nelson.
A quick check of Tony Russell’s Country Music Records: A Discography, 1921-1942 the Rosetta Stone for prewar country music, solved the mystery. Fiddlin’ Frank is a pseudonym for the great Kentucky fiddler Doc Roberts.
This track was cut in Richmond, Indiana, at the studios of the Starr Piano Company, with Joe Booker providing the guitar accompaniment. It was recorded on Saturday, August 27th, 1927, and paired with Roberts’ interpretation of Billy in the Lowground. That pairing was released on half a dozen labels, under half a dozen names. Here’s a mapping for you:
Champion Records -> Fiddlin’ Jim Burke
Silvertone and Supertone Records -> Jim Burke
Challenge and Superior Records -> Fiddlin’ Frank Nelson
Bell Records -> Fiddlin’ Bob White
Bell Records (again) -> Bob White
Gennett Records -> Doc Roberts
Roberts had a career rebirth during the folk revival of the 1960s. Berea College in Kentucky has an extensive collection of his papers.
Fiddlin’ Powers was a John Cowan Powers, from Russell County, Virginia. His recording career encompasses 33 sides for the Victor, Edison, and OKeh labels, though 14 of those seem to be unissued. This is a 1925 Edison recording, and he is backed by a family band:
Orpha Powers, mandolin;
Charlie Powers, banjo;
Carrie Powers, guitar;
Ada Powers, ukulele
Despite what Henry Ford thought, a lot of these old time songs are pretty filthy. ‘She lays eggs for the whole darn crew.’ Indeed.
A solid recording of the recent Chicago Bluegrass Festival in Evanston, IL is available for free bit-torrent download at bt.etree.org: http://bt.etree.org/details.php?id=524105
Here’s a little sample, our four-man, banjo-less version of the Takeup Reel Medley, from our latest record, Most Folk Heroes Started Out As Criminals:
Here are the notes for the recording, which was made by Joe Steffen:
Chicago Bluegrass Festival
2009-04-04
American Legion Hall
Evanston, IL
Source: SP-CMC-8 cardioid > M-AUDIO MicroTrack II > 44.1 kHz 16-bit WAV
Location: front center chair 2′ from stage, ORTF 20cm 100°
Transfer: WAV > CD Wave > Trader’s Little Helper > FLAC
Recorded by: Joe Steffen (HackensawFan at comcast dot net)
Disc 1
01. intro
Harris Covington
02. Some Day
Bubbly Creek Bluegrass Band http://www.myspace.com/bubblycreekbluegrassband
with Harris Covington on guitar
03. intro
04. Travelin’ Teardrop Blues
05. Colleen Malone
06. banter
07. Lee & Paige
08. Dusty Boxcar Wall
James Creek Road http://www.jamescreekroad.com/
09. intro
10. Love Please Come Home
11. Girl from West Virginia
12. Where Corn Don’t Grow
13. Flight That Is Leaving Soon
14. Crosses and Stones
15. Six Feet Under
Whiskey Hollow Bluegrass Band http://nailthatcatfish.tripod.com/WALLOW.html
16. intro
17. Turkey Knob
18. Wonder Where You Are Tonight
19. I Never Will Marry
20. Hang Me
21. A Few Old Memories
22. banter
23. Somewhere Over The Rainbow
Disc 2
01. Bring It On Home
02. Jesus Is A Rock
03. announcements and door prizes
Northern Skyline
04. intro
05. If You’re Ever in Oklahoma
06. Vamp in the Middle
07. Dancin’ with the Angels
08. Walls of Time
09. 1952 Vincent Black Lightning
10. E.M.D.
11. announcements
Peter Nye & the Chicago Bluegrass Band http://www.myspace.com/chicagobluegrassband
12. intro
13. Peter Nye: Chip Covington banjo story
14. Butcher Boy
15. Paddy On The Turnpike
16. Love of the Mountain
17. One More Dollar
18. Just Wondering Why
19. banter
Disc 3
01. Steel Rails in the Tennessee Night
Tangleweed http://www.tangleweed.org
02. intro
03. Sir Lucas de Somerville/The Musical Priest/Whiskey Before Breakfast
04. Hard Times
05. The Logjam
06. South Australia
07. Gonna Lay Down My Old Guitar
08. The Takeup Reel/Cold Frosty Morning/Grey Eagle
Henhouse Prowlers http://www.henhouseprowlers.com/
09. intro
10. Get in Line Brother
11. Darlin’ Who Cares About Your Fun
12. Give Your Lovin’ Out
13. Mourning Dove
14. The First Train Robbery
15. Clinch Mountain Backstep/Turn Me Loose
Both our of sets from our January 17th shows at the Old Town School of Folk Music in Chicago are available for download at archive.org. Here’s a sample track from the second set, our performance of South Australia, from the Old Town School of Folk Music Song Book, Vols. 2 & 3 CD. We were opening for the Jerry Douglas band at the OTSFM..
Of the two sets, I prefer the second — none of us played as well as we would have liked in the first set. For whatever reason, we were all pretty nervous, and the nervousness led to a performance that was sloppier than we would have liked. Between sets, we had dinner and found the case of beer in our dressing room, both of which contributed to a better vibe for the late set. That said, they’re two completely different sets, and the sound quality is pretty good. You can download the whole show for free at archive.org.