We were on WGN’s morning news this morning.

Here’s a shot we took with Ana Beleval.   We’re playing the Square
Dance this Friday (10th) for the Great Performers of Illinois
Festival.  10 dancing Chaplins is nothing to sneeze at.

The Golden Horse Ranch Square Dance Band

I’ll be at The Hideout tonight (Tuesday, March 31st) with the Golden Horse Ranch Square Dance Band, 5/7ths of whom are pictured in the adjacent photo. We’re filling in for Devil in the Woodpile. We’ll also be playing this weekend, with an early evening set Sunday at The Whistler in Logan Square.

We’re actually performing as our musical alter-ego, the Golden Horse Ranch Musical Band.

From the GHRSDB MySpace page:

The Golden Horse Square Dance Band was founded in 2000 by Annie Coleman and Anthony Burton. Annie grew up calling square dancing at her families resort (The Golden Horse Ranch. www.goldenhorseranch.com). The Golden Horse Ranch Band’s 5 part harmonies and good time stomping cowboy style is not to be missed. This 7 piece ensemble features mandolin, fiddle, upright bass, banjo, guitar, snare drum/washboard, and the occasional bassoon, played by a stellar group of musicians from a cross section of Chicago bands, such as Reds and Blue, Palliard, the Lawrence Peters Outfit, The 1900’s, Tangleweed, and everyone’s favorite marching band, Mucca Pazza.

Fender FM-60E electric mandolin and case

I’m in the early stages on an equipment purge (or, to use the terminology of the day, “equipment right-sizing”). One of the early casualties is this Fender FM-60E 5-string electric mandolin. It’s up for sale now on eBay. Fender no longer makes `em, so if you want one, this is your chance.

I bought this mandolin back in 2000, and used it live and in the studio with the Kennett Brothers. I also used it on some recordings with Consortium.

It’s a 5-string instrument, tuned C-G-D-A-E, like having a mandolin and mandola all in one. Like a Stratocaster, it has individually compensated saddles in on the bridge, and it uses ball-end electric guitar strings.

It plays well, and, equally important, the intonation is solid up and down the neck.

It’s all original except for the toggle switch. The one that came with it was crap, so I replaced it with a higher-quality switch. If you prefer crap, the original is in the case.

The auction runs through Apr-01-09 16:34:38 PDT.

Sound samples:

This mandolin performs well in a variety of different live performance and recording contexts. With the pickup in the bridge position, it’s bright and cuts well. Here it is with the Kennett brothers:

And here it is with the Kennett Brothers again, using the out-of-phase toggle and the lower register:

And here it is with a wee bit of distortion, in an excerpt from the Consortium record:

Images

Click on any of the images below for a larger-scale version. The instrument is in excellent condition. There are the usual belt buckle scratches one would expect on the back. These are detailed in one of the images below.

Fender FM-60E electric mandolin

Fender FM-60E electric mandolin and case

Fender FM-60E electric mandolin headstock

Fender FM-60E electric mandolin, back

Fender FM-60E electric mandolin, detail of scratches on back of the instrument.

Tangleweed’s own Ryan Fisher was recently featured in a documentary about the proposed Promoter Ordinance in Chicago. You can check out his segment below, and also view the entire documentary here. The documentary was produced by JaGoFF, presented in conjunction with TheRecordIndustry.com.

Since its proposal, the ordinance has been tabled thanks to the large outcry by Chicago’s independent music community. This means the issue can still become active at any point, so it’s important for everyone to stay vigilant. We’ll keep you updated on the TweedBlog if any new information becomes available. Also, here’s a good resource with links related to the issue:
http://therecordindustry.com/chicago-promoters-ordinance.htm

Related Posts:

Promoter Ordinance update

Oppose Promoter Ordinance! (please?)

We’re very pleased to be among the performers at this year’s Ola Belle Reed Homecoming Festival. We recorded Ola Belle’s song “High On a Mountain” for our second CD, Where You Been So Long, and we’re going to learn another of her songs especially for the festival.

The trip will bring us to North Carolina for the first time. On the way to the festival, we’ll do a radio show in Knoxville, and a show in Fletcher, NC. We’re riding a high right now. On our last trip, we passed through three states, and weren’t threatened with a firearm once. Take that, Wisconsin!

We’ve posted several versions of Stack O’Lee/ Stagger Lee here on the TweedBlog, so I’d like to give a little information on the true story behind one of American music’s more enduring songs. Lyons and Lee were real people and, according to news reports of the day, ‘Stag’ Lee really did shoot Lyons in an argument over a hat.

The St. Louis Globe Democrat, 1895

“William Lyons, 25, a levee hand, was shot in the abdomen yesterday evening at 10 o’clock in the saloon of Bill Curtis, at Eleventh and Morgan Streets, by Lee Sheldon, a carriage driver. Lyons and Sheldon were friends and were talking together. Both parties, it seems, had been drinking and were feeling in exuberant spirits. The discussion drifted to politics, and an argument was started, the conclusion of which was that Lyons snatched Sheldon’s hat from his head. The latter indignantly demanded its return. Lyons refused, and Sheldon withdrew his revolver and shot Lyons in the abdomen. When his victim fell to the floor Sheldon took his hat from the hand of the wounded man and coolly walked away. He was subsequently arrested and locked up at the Chestnut Street Station. Lyons was taken to the Dispensary, where his wounds were pronounced serious. Lee Sheldon is also known as ‘Stag’ Lee”

Lyons died the day after Christmas, 1895. Missouri has a searchable database of Coroner’s records. If you want to see the page for Lyons, visit Missouri Digital Heritage. You can even order a copy of the coroner’s report.

There’s more on the song and the legend here: Stagger Lee

The intersection of 11th and Morgan doesn’t really exist anymore. Morgan in that stretch has become Convention Plaza. Here’s a Google map of the crime scene:

View Larger Map

Related posts:
Mississippi John Hurt playing Stack O Lee Blues
The Down Home Boys singing Original Stack O’Lee Blues

I loathe jewel cases, the ubiquitous plastic cases that house most compact discs. They’re heavy, bulky, and fragile. My collection of CDs, while not huge, had totally outgrown whatever space I had to house it. Even after a rather draconian purge, there still wasn’t enough space for the discs I wanted to keep. The solution was to banish the hated jewel case from my home.
(more…)

If you lived in Champaign Urbana in the early 1990s, you likely remember Driver Has No Cash, a trio featuring amplified ukulele, toy drums, and the melodious vocals of Frank Gill. If you feel like spending a few moments wallowing in the gloriousness of that time and place, you’re in luck. Driver Has No Cash are reuniting this weekend.

From Bill’s blog, the Williwaw Endeavor:

driver has no cash – francis bradley gill, robert rising & the artist somewhat rarely known as williwaw – have, like the Great Phoenix, risen from the ashes.

SUNDAY MAY 25 8 PM
THE HIGH DIVE
51 MAIN STREET
CHAMPAIGN USA

there will be much roaring, much whimpering, cowering even, from the mighty rock. can you handle such rock? no, you can’t. but you’ll try, oh how you’ll try, to carry on. there are tickets. there will be no t-shirts. no, don’t cry, there will be other trinkets. there will be other bands. so many bands. so much rock. you, you really should stay away. you, you’re just not ready. stay home. yes, the sofa. that’s the place for you…